poem with enjambment dashes and exclamation points

#Poem with enjambment dashes and exclamation points how to

Understandable to anyone, meaningful to someone. It little matters whether verse is free, rhymed, blank, or formed as long as it is understandable and meaningful. From their perspective, calm acceptance and longevity, perhaps some sadness, they look on all of history and non-history with something like gladness.įrom there we can appreciate the artistry - in Yeats' case the interesting rhymes and variable line lengths - recognizing, however, that the artistry is not so much a demonstration of skill or a performance as the particular vehicle or discipline by which this artist discovered the content of his mind. Finally, in a reference to one of our oldest civilizations, two old Chinamen and their retainer are in the mountains. Then a paragraph or stanza about how whole civilizations are transitory too. Then he talks about actors playing Hamlet and Lear holding it together even though their characters die at the end of the play. In Yeats' Lapis Lazuli, in the first paragraph, strophe or stanza, he talks about a community, a city or country, in which people, the women especially, high-toned maybe?, are upset about a political or wartime situation and are too hysterical for art or grace. Not paraphrase it but describe the action.

Like the calendar, time and all else man lays his mind to it is a matter of bringing order from chaos by naming things according to our observations.įirst, I like to understand what's going on in the poem. The anthology helps me know what I like but now I am tempted to try to articulate why I like what I like. But now there is this conversation between me and all other writers. No anthology and the poetry dependency it has created and I might have passed over the story. I was attracted like a bee to a blossom to Shakespeare's lines in my personal anthology.

#Poem with enjambment dashes and exclamation points how to

Bulgarian Poetess and How to Love America and Leave It At the Same Time made me think how fortunate I had been to find Tomorrow on the first try. The other two stories by Updike assured me that prose story-telling is as hit or miss as poetry.

It is a consolation that Updike's and even Shakespeare's achievements are imperfect although it would be wringing blood from a rock for me to achieve as much. Updike took some of the starch out of my contention that all Shakespeare's plays are comedies, impossible to take Hamlet, Lear, Macbeth and Othello seriously. Hard to be humorous about that although Updike finds in Shakespeare's late plays, especially The Tempest, a resolution amounting to wisdom that there can be contentment with imperfection and partial achievement. One extraordinary - Tomorrow and Tomorrow and So Forth - which I chose from his Complete through 1975 for the reference to Macbeth and in it he so humanely, sympathetically explains through the high school English teacher's thoughts Shakespeare's mid-life bitterness or disappointment realizing few men achieve their potential in the face of history, society and their personal flaws. With my mother this weekend, her dementia proceeding according to what plan. Anyway today, a November day in February, no chance getting rest with the poor clay I'm made from. Avoids bombast of line breaks but forgoes - what - perfect rest. Prose is unpretentious, that's its attraction. When observing the northernmost night skies